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Diana Tamane / Flower SmugglerIf we look briefly at what makes good art, it is of course to work with what is in front of us. Inventions are good, but if the point of escape into the unknown is the known, even better. Certainly nothing is more readily available than ones own family. It is a matrix we will never leave, and if we escape it, we inevitably escape in relation to it. Diana worked with the image material her family generated on many formal and technical layers, visually

living in Italy and wrestling with belonging

(Nanda Janssen)

unfortunately led to decay

This ambitious but utopian project reads like a sampler of photographic genres: landscape

Both his visual language as well as his chosen materials

proud to be trans

Soon however

to escape the pogroms that swept the regions

Outdoor Furniture collects a range of pictures of jiggered sofas that were abandoned in the streets of the Californian city

FreelingWaters’s cabinets are themselves the curiosity

kissing and being together in each other’s company

Her consistent and methodical way of working