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355 SUMMER 2026 the UnsolvedFlash Arts summer issue takes on the Unsolved. Many readers are just beginning to recover from the chaos and rumble that was the opening of the 61st Venice Biennale, In Minor Keys. In the weeks that have followed, publications have been awash with think pieces on what to do in the face of the events highs and lows. Ultimately, weve seen a melancholic heaviness seep into the corners and hues of the art being made in this time of conflict, economic

Michael Boyce Gillespie writes

an installation that holds an “unmanicured display of the messy

Against a backdrop in which AI’s implications are being contested by Elon Musk and Mark Zuckerberg

which suggest a stream of consciousness hiding something foreboding

compiled by Hanlu Zhang

0” — or what Land calls neo-modernity — translates into an urban landscape that questions the very notion of temporal linearity

“For me Moléculas is definitely not a work illustrating a political topic — it’s not a piece about displacement or immigration

In conversation with Qingyuan Deng

whether they are normative

Real Worlds

the farm’s produce and the art are both the result of the same process

because if visual art falls within the domain of the instant